The Bint Family of Shinfield
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Descendants of the Berkshire Bints
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THE FICTIONAL SHINFIELD BINTS BY MARY RUSSELL MITFORD
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ARBORFIELD & SHINFIELD FAMILIES AN ONLINE BOOK ABOUT MARY RUSSELL MITFORD
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Shinfield Church around 1900 |
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Since originally embarking thirty years ago on the long and interesting task of seeking out our family history, I have during all that time held on to a rather grubby copy of Mary Russell Mitford's book, "Our Village". Her home in the hamlet of Three Mile Cross being part of Shinfield parish, a few miles from Reading. Mary used our family name in two of her stories and she, in common with our ancestors, buried both her parents at Shinfield Church. Our first proven relatives, John and Mary Bint, were married there in 1750 and it is of course where the Bint children and a number of grand-children were baptised. Parish records however do not indicate that Hannah Bint, London Jack or Isaac the mole-catcher, the subjects of the two stories at the bottom of this page, as being anything other than fictional characters. We may though, through Mary's pages, capture a more romantic glimpse of 1820s country life and perhaps ignore for a brief period how tough just existing would have been for our Shinfield and neighbouring Arborfield farm labouring ancestors.
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Our Hannah Bint (1804) was the daughter of Shinfield born farm labourer Thomas Bint (1769 -1840) and Sarah Appleton (1774-1826) who were married at Shinfield in June 1796. Hannah, who was baptised at Shinfield in September 1804, would have been only fifteen when Mary Mitford arrived at the parish in March 1820. At that time Hannah's family were her parents Thomas & Sarah Bint, one brother - eight year old Philip, and three sisters - Maria 13, Sarah 10, and Ann 5. The Reverend George Hulme, whose wife was from the wealthy Breedon family of Bere Court at Pangbourne, was Curate at neighbouring Arborfield Church in 1818. According to a register his family later passed to a local school, he taught the young Hannah Bint and other local children in the Sunday School at his home, Shinfield Grove. There was a period between her mother Sarah's death in 1826 and her marriage to George Burrett in 1828 when Hannah would have been left to take care of the family though, at that time her brother Philip was 14 and youngest sister Ann 11. Husband George who was a farm labourer at the time of his marriage, became one of the earliest school-masters at Arborfield in the 1840s and at some point, probably after her youngest child was born in 1846 , Hannah joined him as school mistress. In the early 1850s the Burrett family moved with their seven children to neighbouring Swallowfield schoolhouse where the couple remained as schoolmaster and schoolmistress until George's retirement in the 1870s. Did Mary Mitford and Hannah Bint know each other? They both buried their parents at Shinfield Church. We know that Mary Mitford would surely have attended some of the same church services as the Bint family between 1820 and 1850 and being a cleric's grand-daughter and naturally very inquisitive, would have taken an interest in the activities of the local clergy and congregation. It also to me seems unlikely, even allowing for their widely different social levels, that the Bint family would have been unaware of Mary's existence and popularity and her use of the Bint name in her writings. She also for the last five years of her life lived in the village of Swallowfield where Hannah was school mistress. |
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Returning from harvest |
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Mary Russell Mitford, the author of 'Our Village' was buried in the north-east corner of Swallowfield churchyard in 1855, and Hannah Bint (Burrett) at the same churchyard in 1885.
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Mary Russell Mitford (1787 - 1855) Mary Russell Mitford was born on the 16th of December 1787. She was the only child of her parents, who were well connected; her mother was an heiress. Her father belonged to the Mitfords of the North. Mary was a very precocious child. She describes herself as 'a puny child, with an affluence of curls which made her look as if she were twin sister to her own great doll.' She could read at three years old and she learnt the Percy ballads by heart almost before she could read. Miss Mitford wrote: " In common with many only children, I learnt to read at a very early age. My father would perch me on the breakfast-table to exhibit my only accomplishment to some admiring guest, who admired all the more from my being a small puny child, gifted with an affluence of curls who might have passed for the twin sister of my own great doll. On the table was I perched to read some Foxite newspaper, Courier or Morning Chronicle, the Whiggish oracles of the day. ... I read lead ing articles to please the company ; and my dear mother recited ' The Children in the Wood ' to please me. This was my reward, and I looked for my favourite ballad after every performance, just as the piping bull-finch that hung in the window looked for his lump of sugar after going through ' God save the King'. The two cases were exactly parallell." |
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Mary aged 3 |
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In 1797, she drew a prize in the Irish Lottery worth £20,000. The child herself insisted on choosing the number, 2224, because its digits made up the sum of her age. On the strength of this, Dr. Mitford built a fashionable town house on the London Road in Reading before moving to 'Bertram House', a small country estate in nearby Grazeley. Between 1798 and 1802, Mary was in a good school at 22 Hans Place, London, kept by Mrs. St.Quintin, a French refugee, where Lady Caroline Lamb had been an earlier pupil. In 1802, Mary settled at home with her parents and her literary taste began to develop. She read enormously. In 1806, she mastered fifty-five volumes in thirty-one days and, in 1810, appeared her first published work, 'Miscellaneous Poems.' The next two or three years were brilliant enough; for the family must have lived at the rate of three or four thousand a year. Their hospitality was profuse, they had servants, carriages, they bought pictures and furniture, they entertained. Cobbett was among their intimate friends. The Doctor naturally enough invested in a good many more lottery tickets, but without any further return. The ladies seem to take it as a matter of course that Mary's father should speculate and gamble at cards, and indeed do anything and everything he fancied, but they beg him at least to keep to respectable clubs. He is constantly away. His daughter tries to tempt him home with the bloom of her hyacinths. 'How they long to see him again!' she says, 'how greatly have they been disappointed, when, every day, the journey to Reading has been fruitless. The driver of the Reading coach is quite accustomed to being waylaid by their carriage.' Then she tells him about the primroses, but neither hyacinths nor primroses bring the Doctor away from his cards. Finally, the rhododendrons and the azaleas are in bloom, but these also fail to attract him. Long after, she used to describe how she first studied her beloved ballads in the breakfast-room lined with books, warmly spread with its Turkey carpet, with its bright fire, easy chairs, and the windows opening to a garden full of flowers,--stocks, honeysuckles, and pinks. It is touching to note how, all through her difficult life, her path was (literally) lined with flowers, and how the love of them comforted and cheered her from the first to the very last. In her saddest hours, the passing fragrance and beauty of her favourite geraniums cheered and revived her. Even when her mother died she found comfort in the plants they had tended together, and at the very last breaks into delighted descriptions of them. |
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By March 1820, Dr. Mitford's spend-thrift irregularities had reduced his family to the utmost poverty and it was necessary for Mary to turn to literature for their means of livelihood. The household moved to Three Mile Cross, Shinfield, a village on the turnpike road between Reading and Basingstoke, and lived there in "an insufficient and meanly furnished labourer's cottage". The largest room was about eight feet square. Miss Mitford resided there for more than thirty years, allowing herself only one luxury - a flower garden. She wrote much for the magazines, but soon grew convinced that her talent lay in tragedy, a view in which Coleridge, on reading 'Blanch of Castile,' had encouraged her. Her mother died on 1st January 1830, and was buried in the parish church at Shinfield, while her father's increasing extravagances kept her poor. She confessed to Miss Barrett that "although want, actual want has not come, yet fear and anxiety have never been absent."
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An older Mary |
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This series of sketches of village scenes and vividly drawn characters was based upon life in Three Mile Cross, a hamlet in the parish of Shinfield, near Reading where she lived. Shinfield had also featured twice in the works of Thomas Hardy, who called it Gaymead. Its principal appearance was as the setting for The Son’s Veto from Life’s Little Ironies. Sophy, the chief character, even married the local rector in the church there. Later, Hardy wrote of Jude the Obscure working as a decorator in a church near Gaymead, though its exact location is uncertain. Mary Russell Mitford is one of those lively, unpretentious writers who-without knowing it, since she could not foresee the changes of the next hundred and fifty
years - has left us some precious glimpses of a vanished past. Her style is so simple and natural that she could be thinking aloud by the parlour fire, or writing a long and cheerfully familiar letter.
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The house at Three Mile Cross
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heart," she writes, " and
the delight of my eyes is my garden.
Our house, which is in dimensions
very much like a bird- cage, and
might with almost equal convenience
be laid on a shelf, or hung up in a
tree, would be utterly unbearable in
warm weather were it not that we
have a retreat out of doors and a
very pleasant retreat it is. ...
" Fancy a small plot of ground
with a pretty, low, irregular
cottage at one end ; a large
granary, divided from the dwelling
by a little court running along one
side, and a long thatched shed, open
towards the garden, and supported by
wooden pillars on the other. The
bottom is bounded, half by an old
wall and half by an old paling, over
which we see a pretty distance of
woody hills. The house,
"granary, wall and palings
are covered with vines, cherry
trees, roses, honeysuckles and
jessamines, with great clusters of
tall hollyhocks running up between
them. . . . This is my garden ; and
the long pillared shed, the sort of
rustic arcade, which runs along one
side, parted from the flower-beds by
a row of rich geraniums, is our
out-of-door drawing- room. I
know nothing so pleasant as to sit
there on a summer afternoon, with
the western sun flickering through a
great elder tree, and lighting up
one gay parterre, where flowers and
flowering shrubs are set as thick as
grass in a field . . . where we may
guess that there is such a thing as
mould but never see it. I know
nothing so pleasant as to sit in the
shade of that dark bower ... now
catching a glimpse of the little
birds as they fly rapidly in and out
of their nests . . . now tracing the
gay gambles of the common
butterflies as they sport around the
dahlias ; now watching that rarer
moth which the country people,
fertile in pretty names, call the
bee-bird. . . .
Three Mile Cross, a small and straggling village a few miles from Reading, is still just-identifiable from her descriptions, though now it lies under the arm of a great motorway. It is only too easy to drive through, or over, without noticing it. In the later nineteenth century so great was Miss Mitford's celebrity that it had become a place of pilgrimage, and the cottage where she lived a nostalgic shrine. Today, alas, the little building is a depressing spectacle. The original red brick shows only through gaping holes of crumbling plaster. The cottage has a decayed, unoccupied look, though there are still curtains behind the closed windows. Margaret Lane |
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| ON JANE AUSTEN
Mary
Russell Mitford who knew a thing or two about
writing a sharp and pointed letter, had this to say about the young Jane
Austen and her physical appearance. The report is based on the observations of
her mother, who had lived in the Steventon neighbourhood when Jane was growing
up. "Mama says she was then the prettiest, silliest, most affected, husband-hunting butterfly she ever remembers." she goes on to add, in a bravura performance of downright maliciousness, that Jane had by then (1815):"stiffened into the most perpendicular, precise, taciturn piece of 'single blessedness' that ever existed" and until Pride and Prejudice came out, "she was no more regarded in society than a poker or a fire screen or any other thin, upright piece of wood or iron that fills its corner in peace and quiet. The case is very different now; she is still a poker, but a poker of whom everyone is afraid." And later " Of course I shall copy as closely as I can Nature and Miss Austen, keeping, like her, to genteel country life, or rather going a little lower perhaps, and I am afraid with more of sentiment and less of humour. I do not intend to commit these delinquencies, mind I mean to keep as playful as I can ; but I am afraid of their happening in spite of me." She some years later wrote to her friend Mrs. Hoare on the subject of Jane Austen's works : " Your admiration of Jane Austen is so far from being a ' heresy,' that I never met any high literary people in my life who did not prefer her to any female prose writer. . . . For my own part I delight in her." |
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Jane Austen in 1815
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few years of her life were spent in a cottage at the
neighbouring village of Swallowfield. "I am
charmed with my new cottage. ... It
stands under the shadow of superb
old trees, oak and elm, upon a scrap
of common which catches every breeze
and I see the coolest of waters from
my window. "
And seen just beyond her garden fence. " Have you the white wild hyacinth in your parts? " she asks a friend. " It makes a charming variety amongst its blue sisters and is amongst the purest of white flowers all so pure. A bank close to my little field is rich in both. Have you fritillaries ? They are beautiful in our water meadows, looking like painted glass" |
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Swallowfield Cottage |
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'Are your characters and descriptions true?' somebody once asked our authoress. 'Yes, yes, yes, as true, as true as is well possible,' she answers. 'You, as a great landscape painter, know that in painting a favourite scene you do a little embellish and can't help it; you avail yourself of happy accidents of atmosphere; if anything be ugly you strike it out, or if anything be wanting, you put it in. But still the picture is a likeness.'
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Two stories from "Our Village"
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HANNAH BINT by Mary Russell Mitford
The Shaw, leading to Hannah Bint's habitation, is, as I perhaps have said before, a very pretty mixture of wood and coppice; that is to say, a tract of thirty or forty acres covered with fine growing timber--ash, and oak, and elm, very regularly planted; and interspersed here and there with large patches of underwood, hazel, maple, birch, holly, and hawthorn, woven into almost impenetrable thickets by long wreaths of the bramble, the briony, and the brier-rose, or by the pliant and twisting garlands of the wild honeysuckle. |
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In other parts, the Shaw is quite clear of its bosky undergrowth, and clothed only with large beds of feathery fern, or carpets of flowers, primroses, orchises, cowslips, ground-ivy, crane's-bill, cotton-grass, Solomon's seal, and forget-me-not, crowded together with a profusion and brilliancy of colour, such as I have rarely seen equalled even in a garden. Here the wild hyacinth really enamels the ground with its fresh and lovely purple; there,
'On aged roots, with bright green mosses clad, The
variety is much greater than I have enumerated; for the ground is so
unequal, now swelling in gentle ascents, now dimpling into dells and
hollows, and the soil so different in different parts, that the sylvan
Flora is unusually extensive and complete. |
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The season is, however, now too late for this floweriness; and except the tufted woodbines, which have continued in bloom during the whole of this lovely autumn, and some lingering garlands of the purple wild vetch, wreathing round the thickets, and uniting with the ruddy leaves of the bramble, and the pale festoons of the briony, there is little to call one's attention from the grander beauties of the trees-- the sycamore, its broad leaves already spotted--the oak, heavy with acorns--and the delicate shining rind of the weeping birch, 'the lady of the woods,' thrown out in strong relief from a background of holly and hawthorn, each studded with coral berries, and backed with old beeches, beginning to assume the rich tawny hue which makes them perhaps the most picturesque of autumnal trees, as the transparent freshness of their young foliage is undoubtedly the choicest ornament of the forest in spring. A sudden turn round one of these
magnificent beeches brings us to the boundary of the Shaw, and
leaning upon a rude gate, we look over an open space of about
ten acres of ground, still more varied and broken than that
which we have passed, and surrounded on all sides by thick
woodland. As a piece of colour, nothing can be well finer. The
ruddy glow of the heath-flower, contrasting, on the one hand,
with the golden-blossomed furze--on the other, with a patch of
buck-wheat, of which the bloom is not past, although the grain
be ripening, the beautiful buck-wheat, whose transparent leaves
and stalks are so brightly tinged with vermilion, while the
delicate pink-white of the flower, a paler persicaria, has a
feathery fall, at once so rich and so graceful, and a fresh and
reviving odour, like that of birch trees in the dew of a May
evening. The bank that surmounts this attempt at cultivation is
crowned with the late foxglove and the stately mullein; the
pasture of which so great a part of the waste consists, looks as
green as an emerald; a clear pond, with the bright sky reflected
in it, lets light into the picture; the white cottage of the
keeper peeps from the opposite coppice; and the vine-covered
dwelling of Hannah Bint rises from amidst the pretty garden,
which lies bathed in the sunshine around it. My friend, Hannah Bint, is by no means an ordinary person. Her father, Jack Bint (for in all his life he never arrived at the dignity of being called John, indeed in our parts he was commonly known by the cognomen of London Jack), was a drover of high repute in his profession. No man, between Salisbury Plain and Smithfield, was thought to conduct a flock of sheep so skilfully through all the difficulties of lanes and commons, streets and high-roads, as Jack Bint, aided by Jack Bint's famous dog, Watch; for Watch's rough, honest face, black, with a little white about the muzzle, and one white ear, was as well known at fairs and markets as his master's equally honest and weather-beaten visage. Lucky was the dealer that could secure their services; Watch being renowned for keeping a flock together better than any shepherd's dog on the road--Jack, for delivering them more punctually, and in better condition. No man had a more thorough knowledge of the proper night stations, where good feed might be procured for his charge, and good liquor for Watch and himself; Watch, like other sheep dogs, being accustomed to live chiefly on bread and beer. His master, though not averse to a pot of good double X, preferred gin; and they who plod slowly along, through wet and weary ways, in frost and in fog, have undoubtedly a stronger temptation to indulge in that cordial and reviving stimulus, than we water-drinkers, sitting in warm and comfortable rooms, can readily imagine. For certain, our drover could never resist the gentle seduction of the gin-bottle, and being of a free, merry, jovial temperament, one of those persons commonly called good fellows, who like to see others happy in the same way with themselves, he was apt to circulate it at his own expense, to the great improvement of his popularity, and the great detriment of his finances. All this did vastly well whilst his earnings continued proportionate to his spendings, and the little family at home were comfortably supported by his industry: but when a rheumatic fever came on, one hard winter, and finally settled in his limbs, reducing the most active and hardy man in the parish to the state of a confirmed cripple, then his reckless improvidence stared him in the face; and poor Jack, a thoughtless, but kind creature, and a most affectionate father, looked at his three motherless children with the acute misery of a parent who has brought those whom he loves best in the world to abject destitution. He found help, where he probably least expected it, in the sense and spirit of his young daughter, a girl of twelve years old. Hannah was the eldest of the family, and had, ever since her mother's death, which event had occurred two or three years before, been accustomed to take the direction of their domestic concerns, to manage her two brothers, to feed the pigs and the poultry, and to keep house during the almost constant absence of her father. She was a quick, clever lass, of a high spirit, a firm temper, some pride, and a horror of accepting parochial relief, which is every day becoming rarer amongst the peasantry; but which forms the surest safeguard to the sturdy independence of the English character. Our little damsel possessed this quality in perfection; and when her father talked of giving up their comfortable cottage, and removing to the workhouse, whilst she and her brothers must go to service, Hannah formed a bold resolution, and without disturbing the sick man by any participation of her hopes and fears, proceeded after settling their trifling affairs to act at once on her own plans and designs. Careless of the future as the
poor drover had seemed, he had yet kept clear of debt, and by
subscribing constantly to a benefit club, had secured a pittance
that might at least assist in supporting him during the long
years of sickness and helplessness to which he was doomed to
look forward. This his daughter knew. She knew also, that the
employer in whose service his health had suffered so severely,
was a rich and liberal cattle-dealer in the neighbourhood, who
would willingly aid an old and faithful servant, and had,
indeed, come forward with offers of money. To assistance from
such a quarter Hannah saw no objection. Farmer Oakley and the
parish were quite distinct things. Of him, accordingly, she
asked, not money, but something much more in his own way--'a
cow! any cow! old or lame, or what not, so that it were a cow!
she would be bound to keep it well; if she did not, he might
take it back again. She even hoped to pay for it by and by, by
instalments, but that she would not promise!' and, partly
amused, partly interested by the child's earnestness, the
wealthy yeoman gave her, not as a purchase, but as a present, a
very fine young Alderney. She then went to the lord of the
manor, and, with equal knowledge of character, begged his
permission to keep her cow on the Shaw common. 'Farmer Oakley
had given her a fine Alderney, and she would be bound to pay the
rent, and keep her father off the parish, if he would only let
it graze on the waste;' and he too, half from real good
nature--half, not to be outdone in liberality by his tenant, not
only granted the requested permission, but reduced the rent so
much, that the produce of the vine seldom fails to satisfy their
kind landlord. Her domestic management
prospered equally. Her father, who retained the perfect use of
his hands, began a manufacture of mats and baskets, which he
constructed with great nicety and adroitness; the eldest boy, a
sharp and clever lad, cut for him his rushes and osiers;
erected, under his sister's direction, a shed for the cow, and
enlarged and cultivated the garden (always with the good leave
of her kind patron the lord of the manor) until it became so
ample, that the produce not only kept the pig, and half kept the
family, but afforded another branch of merchandise to the
indefatigable directress of the establishment. For the younger
boy, less quick and active, Hannah contrived to obtain an
admission to the charity-school, where he made great
progress--retaining him at home, however, in the hay-making and
leasing season, or whenever his services could be made
available, to the great annoyance of the schoolmaster, whose
favourite he is, and who piques himself so much on George's
scholarship (your heavy sluggish boy at country work often turns
out quick at his book), that it is the general opinion that this
much-vaunted pupil will, in process of time, be promoted to the
post of assistant, and may, possibly, in course of years, rise
to the dignity of a parish pedagogue in his own person; so that
his sister, although still making him useful at odd times, now
considers George as pretty well off her hands, whilst his elder
brother, Tom, could take an under-gardener's place directly, if
he were not too important at home to be spared even for a day. |
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Yes! Hannah hath had her enemies; but they are passing away. The
old woman at the lodge is dead,poor creature; and Betty Barnes,
having herself taken to tippling, has lost the few friends she
once possessed, and looks, luckless wretch, as if she would soon
die too!--and the keeper?--why, he is not dead, or like to die;
but the change that has taken place there is the most
astonishing of all-- except, perhaps, the change in Hannah
herself.
Few damsels of twelve years old, generally a very pretty age,
were less pretty than Hannah Bint. Short and stunted in her
figure, thin in face, sharp in feature, with a muddled
complexion, wild sunburnt hair, and eyes whose very brightness
had in them something startling, over-informed, super-subtle,
too clever for her age,--at twelve years old she had quite the
air of a little old fairy. Now, at seventeen, matters are
mended. Her complexion has cleared; her countenance has
developed itself; her figure has shot up into height and
lightness, and a sort of rustic grace; her bright, acute eye is
softened and sweetened by the womanly wish to please; her hair
is trimmed, and curled and brushed, with exquisite neatness; and
her whole dress arranged with that nice attention to the
becoming, the suitable both in form and texture, which would be
called the highest degree of coquetry, if it did not deserve the
better name of propriety. Never was such a transmogrification
beheld. The lass is really pretty, and Ned Miles has discovered
that she is so. There he stands, the rogue, close at her side
(for he hath joined her whilst we have been telling her little
story, and the milking is over!)--there he stands--holding her
milk-pail in one hand, and stroking Watch with the other; whilst
she is returning the compliment by patting Neptune's magnificent
head. There they stand, as much like lovers as may be; he
smiling, and she blushing--he never looking so handsome nor she
so pretty in all their lives. |
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ISAAC BINT THE MOLE-CATCHER There are no more delightful or unfailing associations than those afforded by the various operations of the husbandman, and the changes on the fair face of nature. We all know that busy troops of reapers come with the yellow corn; whilst the yellow leaf brings a no less busy train of ploughmen and seedsmen preparing the ground for fresh harvests; that woodbines and wild roses, flaunting in the blossomy hedgerows, give token of the gay bands of haymakers which enliven the meadows; and that the primroses, which begin to unfold their pale stars by the side of the green lanes, bear marks of the slow and weary female processions, the gangs of tired yet talkative bean-setters, who defile twice a day through the intricate mazes of our cross-country roads. These are general associations, as well known and as universally recognised as the union of mincepies and Christmas. I have one, more private and peculiar, one, perhaps, the more strongly impressed on my mind, because the impression may be almost confined to myself. The full flush of violets which, about the middle of March, seldom fails to perfume the whole earth, always brings to my recollection one solitary and silent coadjutor of the husbandman's labours, as unlike a violet as
possible - Isaac Bint, the mole-catcher.
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Traditional molecatchers traveled from farm to farm in order to catch moles. The molecatcher's clients would provide food and lodgings. Also, the molecatcher would be paid for every mole caught; he would earn extra money by selling the moleskins to fur dealers. Also, until quite recently, plumbers used moleskins to “wipe”, or finish, joints in lead piping. In more modern times (late 19th-early 20th century), British molecatchers were paid over 50p by farmers and gardeners for every mole caught. Fur dealers and plumbers would pay several pence a piece for each of the moleskins. Molecatchers were very often distinctive local characters, tramping the rural estates in their moleskin waistcoats. It took over 100 good moleskins to make just the two front parts of a waistcoat, so these were a mark of the skill of the molecatcher. |